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The Cauldron of Annwfn

The following is Preiddeu Annwyn, the Raid of Annwyn, the Raid of the Otherworld, part XXX (30) of the Book of Taliesin, as related by William F. Skene in 1868 in his The Four Ancient Books of Wales. In it is related the Caer Sidi, Caer Pedrycan, Caer Vedwyd, Caer Rigor, Caer Wydyr, Caer Golud, Caer Vandwy, and Caer Ochren, familiar to readers of the White Goddess by Robert Graves, and the Cauldron of Annwyn, referenced by Robert Cochrane when we asked Taliesin’s question, what two words are not spoken from the Cauldron.

Note that it is nine maidens whose breath it was warmed by. Those who know Norse myth might get a parallel. Those who know Greek myth might get another. Not the question, “what is its intention”. Those that know Arthurian legend, specifically of the Graal, might get a parallel. Also note the Cauldron is lined with Pearl. Some might get where I’m leading there.

FFF,
~Lorekeeper, Muninn’s Kiss

I WILL praise the sovereign, supreme king of the land,
Who hath extended his dominion over the shore of the world.
Complete was the prison of Gweir in Caer Sidi,
Through the spite of Pwyll and Pryderi.
No one before him went into it.
The heavy blue chain held the faithful youth,
And before the spoils of Annwvn woefully he sings,
And till doom shall continue a bard of prayer.
Thrice enough to fill Prydwen, we went into it;
Except seven, none returned from Caer Sidi

Am I not a candidate for fame, if a song is heard?
In Caer Pedryvan, four its revolutions;
In the first word from the cauldron when spoken,
From the breath of nine maidens it was gently warmed.
Is it not the cauldron of the chief of Annwvn? What is its intention?
A ridge about its edge and pearls.
It will not boil the food of a coward, that has not been sworn,
A sword bright gleaming to him was raised,
And in the hand of Lleminawg it was left.
And before the door of the gate of Uffern [hell] the lamp was burning.
And when we went with Arthur; a splendid labour,
Except seven, none returned from Caer Vedwyd.

Am I not a candidate for fame with the listened song
In Caer Pedryvan, in the isle of the strong door?
The twilight and pitchy darkness were mixed together.
Bright wine their liquor before their retinue.
Thrice enough to fill Prydwen we went on the sea,
Except seven, none returned from Caer Rigor.

I shall not deserve much from the ruler of literature,
Beyond Caer Wydyr they saw not the prowess of Arthur.
Three score Canhwr stood on the wall,
Difficult was a conversation with its sentinel.
Thrice enough to fill Prydwen there went with Arthur,
Except seven, none returned from Caer Golud.

I shall not deserve much from those with long shields.
They know not what day, who the causer,
What hour in the serene day Cwy was born.
Who caused that he should not go to the dales of Devwy.
They know not the brindled ox, thick his head-band.
Seven score knobs in his collar.
And when we went with Arthur of anxious memory,
Except seven, none returned from Caer Vandwy.

I shall not deserve much from those of loose bias,
They know not what day the chief was caused.
What hour in the serene day the owner was born.
What animal they keep, silver its head.
When we went with Arthur of anxious contention,
Except seven, none returned from Caer Ochren.

Monks congregate like dogs in a kennel,
From contact with their superiors they acquire knowledge,
Is one the course of the wind, is one the water of the sea?
Is one the spark of the fire, of unrestrainable tumult?
Monks congregate like wolves,
From contact with their superiors they acquire knowledge.
They know not when the deep night and dawn divide.
Nor what is the course of the wind, or who agitates it,
In what place it dies away, on what land it roars.
The grave of the saint is vanishing from the altar-tomb.
I will pray to the Lord, the great supreme,
That I be not wretched. Christ be my portion.

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Posted by on July 10, 2015 in muninnskiss

 

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The Seething Cauldron

Seidways: shaking, swaying and serpent mysteriesI just finished reading the article “Seidr and Modern Paganism” by Jan Fries in The Cauldron No. 139 (February 2011).  It raised some good points, about our understanding of ancient Seidr, about modern neopagan/neoheathen Seidr, and about magic, ritual, tradition, and religion in general.  The article is an edited extract of his book, Seidways: Shaking, Swaying and Serpent Mysteries, from Mandrake Press of Oxford.  The article makes me want to read the book in its entirety.

I guess there’s a lot of controversy from the neopagan/neoheathen community about his association of Seidr with the shaking of other shamanistic cultures in Europe.  It doesn’t match what the modern community has come to associate with the name Seidr, based on their reading of the lore and their experiences.  The article is basically his response to their objections, in summary form.

Enough with reviewing the article.  I want to discuss one specific paragraph here.  I’ll leave out the last two sentences as they aren’t related to what I want to discuss, but relates the rest of the paragraph to the flow of his argument.  I recommend reading the article in its entirety to get the context.

But seething was also part of sacrifice.  The Vikings never offered raw or burned meat to their deities.  To prepare a proper sacrifice, you suspended a cauldron on a chain from the temple roof and seethed the flesh until it was tender,  The scent arising from the sacrifice were an essential part of the sacrifice.  In Gothic the participants of the sacrifice were suthnautar, the ‘seething companions’.  So whatever else the word may have implied, there was something sacred to seething.

I want to address several things here.  These are the Cauldron, the tenderness of the meat, the aroma, and the “seething companions”.

The Seething Cauldron

I’ve talked many times about the Cauldron in many different contexts.  There is so much Mystery in it.

Image from Myths and Legends.

The Cauldron of the Welsh, Britons, and Irish became the Graal when Christianity came, and later became a cup.  Sometimes the Cauldron appears as a well, sometimes the Graal, sometimes a Cup, sometimes a pentagram.  It is Water and it is Earth.  It is the Sea and it is the Land.  It appears in many cultures, many religions, many myths, in many forms.

As I’ve discussed before, based on Cochrane’s letters, the Cauldron is Movement, this world, Fate.  The Movement inside is there to point us to the Stillness outside.  The Graal, the Cauldron, is Fate and the overcoming of Fate.  Fate is there to overcome and become what we need to become, not to be the bonds that hold us, as it is for most people.

Here, we have the Cauldron hanging from a chain from the roof, suspended over the fire.  In the Celtic myths, the Cauldron was always sitting in the flames.  I think this difference is significant.  It makes me think of Odin hanging on the tree for nine days, and of the sacrifices to him and Twr hanging on trees.  Suspended above instead of sitting in the fire, is a little cooler.  Meat heated slower becomes more tender.  The Celtic Cauldron had water, soup, stew, liquid based mixtures.  The goal is to boil the water and hence cook what’s in it.  In the  Viking Cauldron, it isn’t water but meat.  You aren’t boiling, you are simmering.  When you boil, you have the Roaring Cauldron, violently moving.  When you simmer, you have the Seething Cauldron.  But both are Movement.

If the Cauldron is Water and Earth, the flames are Fire.  Suspended, the Cauldron is in Air.

In the Seething Cauldron, we have primarily meat.  This is a sacrifice, not a normal meal.  The meat represents life.  The animal is killed, it’s life taken, life becomes death.  The dead animal goes in the Cauldron.  The whole process is the sacrifice.  First the killing, the taking of the life, giving the life to the god.  Then the seething, the simmering, preparing the meat, creating a meal for the god.  The Seething Cauldron prepares the meat for the god.  Just as this world, and Fate, prepares us, simmers us until we’re ready for the gods.

Bran’s Cauldron also has dead meat put in it.  If you put dead humans in it, they came back alive, though they couldn’t talk.  The Cauldron broke when Bran pretended to be dead and was put into it alive.  Life comes from the Cauldron, but only if death goes in.  The sacrifice must be killed before it goes in the Cauldron.

The Tender Meat

As I said, the Cauldron is used to prepare the meat, change it from the dead animal that was sacrificed and into a meal for the gods.  The tenderness is key.  It is the reason for the seething, for the simmering.  Why tender?  Well, who wants to eat tough, chew meat?  People want meat to melt in their mouth, not chew it for three years.  But there’s symbolism here as well.  Tenderness is about being soft.

Going back to the idea of this world and Fate, the Cauldron, preparing us to be ready for the gods, this world makes us “tender” for the gods.  If we’re “tough and chewy”, we won’t listen.  If we don’t listen, we can’t change.  What’s tender is flexible.  We need flexibility to change.

The Aroma

Aromas and smells rising have meaning in many cultures and religions.  This might be from incense and meat.  It rising up connects earth up to heaven, the sacrificer to the god.  It might be symbolic of prayer or praise, but it is usually seen as pleasing to the god.  An example from a Hebrew perspective comes from Leviticus 1:

1And the LORD called unto Moses, and spake unto him out of the tabernacle of the congregation, saying,
 2Speak unto the children of Israel, and say unto them, If any man of you bring an offering unto the LORD, ye shall bring your offering of the cattle, even of the herd, and of the flock.
 3If his offering be a burnt sacrifice of the herd, let him offer a male without blemish: he shall offer it of his own voluntary will at the door of the tabernacle of the congregation before the LORD.
 4And he shall put his hand upon the head of the burnt offering; and it shall be accepted for him to make atonement for him.
 5And he shall kill the bullock before the LORD: and the priests, Aaron’s sons, shall bring the blood, and sprinkle the blood round about upon the altar that is by the door of the tabernacle of the congregation.
 6And he shall flay the burnt offering, and cut it into his pieces.
 7And the sons of Aaron the priest shall put fire upon the altar, and lay the wood in order upon the fire:
 8And the priests, Aaron’s sons, shall lay the parts, the head, and the fat, in order upon the wood that is on the fire which is upon the altar:
 9But his inwards and his legs shall he wash in water: and the priest shall burn all on the altar, to be a burnt sacrifice, an offering made by fire, of a sweet savour unto the LORD.
 10And if his offering be of the flocks, namely, of the sheep, or of the goats, for a burnt sacrifice; he shall bring it a male without blemish.
 11And he shall kill it on the side of the altar northward before the LORD: and the priests, Aaron’s sons, shall sprinkle his blood round about upon the altar.
 12And he shall cut it into his pieces, with his head and his fat: and the priest shall lay them in order on the wood that is on the fire which is upon the altar:
 13But he shall wash the inwards and the legs with water: and the priest shall bring it all, and burn it upon the altar: it is a burnt sacrifice, an offering made by fire, of a sweet savour unto the LORD.
 14And if the burnt sacrifice for his offering to the LORD be of fowls, then he shall bring his offering of turtledoves, or of young pigeons.
 15And the priest shall bring it unto the altar, and wring off his head, and burn it on the altar; and the blood thereof shall be wrung out at the side of the altar:
 16And he shall pluck away his crop with his feathers, and cast it beside the altar on the east part, by the place of the ashes:
 17And he shall cleave it with the wings thereof, but shall not divide it asunder: and the priest shall burn it upon the altar, upon the wood that is upon the fire: it is a burnt sacrifice, an offering made by fire, of a sweet savour unto the LORD.

This sweet savour from the burnt offering is what we find with the Viking sacrifice with the smell, the aroma, rising off the seething meat.  I suspect the symbolism is similar.  The aroma rising off the meat is the worship of the people, their prayers, their praise, rising up from Midgard to Asgard.

The Seething Companions

Are the participants in the sacrifice called Seething because they are companions to the Seething Cauldron, to the sacrifice, or because they move like the contents?  Fries seems to think the later.  I get the image of the participants in the temple dancing, moving, as Fries says, shaking, around the Cauldron, like the images of Africans dancing around a fire, or like the images of Native Americans doing the same, or like Mummers, dancing in Britain.  They are moving like the contents of the Cauldron are moving.  They are companions to the contents, but they are one with the contents, moving like the contents, becoming the contents.  The contents and they are one.  There isn’t a separation between the sacrificer and the sacrifice.  They are one.

We are the animal, the sacrifice.  We are the temple, the chain, the Cauldron, the fire.  We are the meat in the Cauldron, and the aroma rising from the meat.  All is one.  A meal for the god, for the gods.

Ritual in Witchcraft

Ritual connects us to the gods.  It always includes sacrifice, but not always in a tangible way.  Sacrifice is life, death, and rebirth, the Cauldron.  And ritual unites us with that, and through that with the gods.  Like with the Viking sacrifice we’ve been discussing, the ritual isn’t something that we do, something separate from us.  The ritual is us and we are the ritual.  We are the sacrifice, what is given to the gods or spirits.  Without the connection between us and the sacrifice, the sacrifice has no meaning.

What is consumed becomes one with the consumer.  We are what we eat.  The sacrifice of the Vikings is a meal for the gods.  It becomes one with the gods.  The sacrificers and the sacrifice are one.  When the gods consume the sacrifice, the gods and the sacrifice become one, so the gods and the sacrificer become one.

This is what ritual is all about.

FFF,
~Muninn’s Kiss

 
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Posted by on May 15, 2011 in muninnskiss

 

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